Casanova variations on desire
Tre voci, Tre scritture, Tre traiettorie al femminile
Choreography by
Simona Bertozzi, Erika Silgoner, Michela Lucenti
With the support of Teatro Stabile del Veneto – Teatro Nazionale
CASANOVA (NOT) HERE
Seducing to exist
Choreography
Simona Bertozzi
Lighting Design
Gianni Staropoli
Soundscapes
Roberto Passuti
Costumes
Santi Rinciari
1749
Choreography
Erika Silgoner
Lighting Design
Gianni Staropoli
Costumes
Santi Rinciari
Assistant Choreographer
Gloria Ferrari
DESIRE
Male Cubs
Choreography
Michela Lucenti
Lighting Design
Gianni Staropoli
Assistant Choreographer
Alessandro Pallecchi
Paolo Rosini
Video
Lirismo Sciatto by Riccardo Amato, Alessio Bonamino, Daniele di Cristina, Francesco Esposito, Tancredi Morleo
Debut March 21, 2026, Teatro Verdi Padova, Festival Prospettiva Danza Teatro
Casanova variations on desire is a three-movement choreographic journey that explores the figure of Casanova, transforming it into a contemporary reflection on desire, seduction, and human relationships. Three distinct yet complementary female perspectives deconstruct the myth to question what still moves us toward others today: the need to be seen, the pleasure of play, the vertigo of encounter, the weakness that every impulse brings with it.
Far from the univocal image of the great seducer, Casanova becomes a symbolic, mutable, and plural presence, spanning bodies, identities, and generations. The stage transforms into a space of attraction and distance, of freedom and risk, where desire emerges as a vital force capable of continually reinventing the rules of relationships. Between euphoria and fragility, innocence and awareness, play and sentiment, the dancers shape a physical narrative that explores the subtle boundary between desiring and being desired.
A triptych that doesn’t tell the story of Casanova, but what his name continues to evoke: the tension toward others, the allure of uncertainty, and the irreducible complexity of human desire.
Duration 70 minutes
COSA DICONO
"[...]Casanova Variazioni Sul Desiderio è molto più di uno spettacolo: è un atto di riscrittura
potente, necessario, quasi politico. L’idea di attraversare la figura di Casanova da una prospettiva
femminile non si limita a ribaltare lo sguardo: lo scompone, lo incrina, lo dissemina in tre
traiettorie autonome e profondamente sensibili."
"Gioco, sentimento, infantilismo, euforia e fragilità: ripensare Giacomo Casanova, il libertino
veneziano, con i corpi di oggi è parlare di tutto questo. Almeno così pensano le tre autrici invitate
a creare per i bravi e versatili danzatori di COB Compagnia Opus Ballet diretti da Rosanna
Brocanello.


